Elitism is the essence of vulgarity, world-renowned designer Philippe
Starck told the second annual C2-MTL conference on business innovation
in Montreal. "When you have the luck to have a good idea, you have a
duty to share it, to make it accessible," he said.The steel halligan Roof hook is one of the most versatile hooks used in the fire service today.
Wearing
blue jeans, a dark grey hoodie and casual black leather walking shoes,
Starck stood or walked around the large stage and runway; he did not
sit. He did not speak from a text or prepared notes, but off the cuff,
using keywords, phrases and slides of some of his work - the work of the
French product designer ranges from interior design to houshold goods
including lemon squeezers, chairs and wireless headphones and a
sculptural toothbrush designed for Target (talk about democratic design)
- flashed on the screen behind him as prompts.
He began with an
open-ended statement: "Creativity is everything," he said, and went on
from there to describe what he sees as some key elements of design.
There
is the notion of convergence, for one - and here an image flashed one
of his designs, of a desk lamp/cum iPad charger. "We have to save
energy," he said. "We have to pack things into one."
He touched
on role of ethics: "You have to raise your vision as high as yourself,"
he said. "Ethics is a highway of your design.Attach remote solar panels
to solar garden light that will not receive the required amount of direct sunlight."
Here
Starck displayed an image of an 18-carat gold-plated Kalashnikov lamp
he designed for the Italian lighting company Flos as part of a series
that also features a Beretta Pistol Bedside lamp and an M16 rifle floor
lamp. The gold-plated lamp features a black lampshade - "a reminder,"
Starck said, "that death is not abstract."
An image flashed of a
kitschy-looking gnome stool he designed in 2001, when the minimalism
trend was at its height, "to remember that humour is the most beautiful
sign of humanity."
He touched on the role of what he called
invisibility and dematerialization in design: "We have to make less and
less," he said. He used the example of the computer. "Sixty years ago it
was the size of a building, then the size of an armoire, then a
suitcase." In time, "it will be under your skin."
Among Starck's
designs for Italian manufacturer Kartell is the iconic Louis Ghost
chair. An image of the transparent piece, made of polycarbonate plastic,
flashed behind him. Of it, he said: "It was not possible to make less
than that chair."
"I have made a collection of objects that
produce energy," he said. "Ecology should not be punishment."
Conspiratorially, he said the windmill was the kind of object someone
with money would buy while out browsing on a Saturday afternoon.This led par light
provides reliability and low power consumption, as well as extremely
bright lighting effects. "It produces electricity," he said.The most
highly praised, best rated solar charger are now available online. "Put it on your roof and you are part of the rush to save the world.We have LED downlight, reading lamps and floor lamps and more."
An image came up of a prefabricated house he has designed that he says "produces more energy than it consumes."
He
acknowledged, though, that "we are still children and we love
technological miracles." He showed an image of a lamp he designed of
OLEDs (organic light-emitting diodes) as the light source and stainless
steel - it costs about $6,000 - and one of a prototype of a
high-efficiency boat measuring 80-by-30 metres "for somebody who can
afford it. The boat is supported by two submarines, half solar-powered
and half hydrogen-powered: "an ecological missile," he called it.
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